The love story of Pascal and Hélène who meet at Françoise's birthday party and the love story of Gérard, Pascal's confidant, and Françoise who invited Pascal and Hélène to her birthday party.

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In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

Ecco Homo (“behold the man”) employs optically printed footage. In the 1980s, thanks to AIDS hysteria in America, all gay sexuality was once again considered to be essentially pornographic, politically incorrect, sinful or a public health hazard. Ecco Homo is a call to reclaim gay power.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.

A parable about honor and true character, inspired by the reality of the 18th century. Constantin Brâncoveanu preferred to be beheaded in Constantinople alongside his four sons - Constantin, Stefan, Radu, and Matei - as well as by his counselor Ianache Vacarescu, instead of renouncing the Christian faith.

When she asks for a divorce, Elisa knows she's losing everything that made her daily life during ten years of marriage. The worst is that she may lose her children, claimed by her husband. She had only few months to rebuild. Find a job. Prove to the judge she can hold her family... A rebuilding that leads her to push her own limits, to put herself in danger, to learn how to trust people again and to discover a new herself... and, eventually, to fall in love again.

1985. Vincent, bientôt 13 ans, vit en banlieue parisienne dans une famille de la classe moyenne, entre un grand frère distant et des parents en conflit permanent. Alors qu’il n’est déjà plus un enfant et pas encore un adulte, le film suit ses réflexions et ses doutes sur l’identité, l’amitié, la famille, ses questions sur la religion, le désir et l’amour.